Hypertext free essay sample

A comparison and review of hypertext literature. This paper compares various works of hypertext literature: Radiant Textuality by Jerome McGann, The Gutenberg by Steven Birkerts, From Text to Hypertext By Silvio Gaggi, Hypertext by George P. Landow, Hypertext by Geoffrey Nunberg, Tolstoy Dictaphone by Steven Birkerts. It describes the viewers input when reading hypertext fiction and literature on the Internet, where a lot of their thoughts, views and opinions become involved in the story. The paper is critical of hypertext fiction and literature on the Web and describes its dreadful inscriptions, boring text and the unattractive style of writings and impassive categorization not to mention its obvious grammatical errors and mismanagement of HTML technology.. Table of Contents Radiant Textuality by Jerome McGann The Gutenberg by Steven Birkerts From Text to Hypertext By Silvio Gaggi Hyper text by George P. Landow Hypertext by Geoffrey Nunberg Tolstoy Dictaphone By Steven Birkerts Affects of Hypertext on Fiction And Literature The writer, Jerome McGann in his book Radiant Textuality has attempted to illustrate that Digital media has the capability to do much more than categorize and classify the approach to the great and brilliant works and efforts of literals and artists. We will write a custom essay sample on Hypertext or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The writer asserts that the digital media has the capability to be a grave, fundamental and significant instrument of unparalleled supremacy, and this power is much further than its presently recognized perspective and documentation skill.

kenpo made easy essays

kenpo made easy essays The Rules and Characteristics of Kenpo The first rule of Kenpo is proper awareness. All successful self defense is predicated upon this rule. You can not successfully defend yourself if you are not properly aware. It does not matter if you hold a black belt, if you are armed with a weapon, or if you can bench press 400 pounds. If you are not aware, then you will be injured or killed. Only through this, the first rule of Kenpo, is one protected from all of the forms of violence, i.e. direct violence, indirect violence, chance encounter, or reckless/negligent violence. A simple code for reminding us of awareness is the color code of combat. White = relaxed and unalert. Yellow = relaxed but alert. Orange = anticipating a problem. Red = action is occurring. Black = deadly force confrontation. The second rule of Kenpo is fighting spirit. This rule can be summed up in the epigram: "will beats skill". More properly stated: "will without skill beats skill without will." The development of fighting spirit is absolutely necessary in order to implement any of the physical skills of Kenpo. It involves the "never give up" attitude but extends beyond that to the willingness to cause trauma and even death to an attacker(s). It is the fuel needed to ignite and power a self defense technique during an actual gut check assault. The third component of Kenpo is physical skill. Physical skill is embodied in and developed through the curriculum of Kenpo. Numerous self defense techniques are taught for a variety of self defense situations. These situations include escapes and counters for grabs, pushes, holds, locks, chokes, throws, punches and kicks. As one's skill develops, escapes and counters to multiple assailants is learned. Next, unarmed defenses against various weapons attacks are learned. These include attacks with sticks, knives, and pistols. At the highest level, spontaneous responses are initiated against any combination of attacks, i.e. ...

Rubric for Written Response to Performance of Communicating Doors Essay

Rubric for Written Response to Performance of Communicating Doors - Essay Example The set is great, and cover the entire stage, from the balcony windows to a some feet close to the audience on the left side of the stage further to the door close to the door, and the posh time travel door, to the overt walled washroom, bedroom doorway that has a furnishing accompaniment and the antique additions that are throughout the stage. On stage the couch is tailored for the play, and the audience become perplexed that the exterior in the at time spunky play. The concept of tie travel is rather simple on stage, and during the play there is a door in which it frequently occurs. A mere walk through the door and the cast can land either twenty years in the future or twenty years in the past. The direction in time (future or past) depends on who the cast member might be. However, only a single individual can travel at any given time, further one can come to the present from either the past or the future. In the play the concept is wide and unlimited and the concept of time travelling is captured aptly within the play. The British accent filled the environment, and the players performing in different ages, and hence the need to change their wigs and posture to reflect the change in their ages over the flip sides. The 1978 periods is when some are young, then the age when the play was set as the present, and in the future, 2034 and 2018 is reflected by changes in the age manifested by wigs assuming different colors. The scenery is also frequently captured by the lighting to show different time periods, and the concept is achieved when this is achieved through shifting of the time changing room. To achieve this change seem to take quite a while to be realized, the change, time switch and for the audience to predict what is time, then change in time, and convince the audience that the time has changed and things like that takes time to be achieved. The characters put on very colorful costumes which do not betray the play as they are seem to be fully